The History Boys Essay - Drinks With Dakin
Dakin has a sexual relationship with Fiona, the Headmaster's secretary, and he .. asks if Dakin is coming too, and Posner says he's busy going over old exam. Hector is ordered to share classes with Irwin, which that a school is a network of private relationships Dakin and Irwin do indeed test the extent to which. Dakin and Irwin are alone in the classroom after Mrs. Lintott and the other to Eucharist in the college chapel before taking his entrance exam.
I think the boys will always be the most relatable to me. I first saw this movie as a high school senior, and their desperate need to get into Oxford or Cambridge — for reasons that not one of them ever tries to express — rang true for me.
The History Boys (2006)
I saw it around the same time that I was trying to express myself in terms attractive to colleges as opposed to terms in which I might actually express myself. It is, more than anything, the willingness that the boys share as a group to make connections to the texts outside themselves, from Philip Larkin poems to George Formby ditties, that I find relatable. The boys, at any rate, seem willing to have their hands taken.
The conflict of The History Boys concerns the teachers, who are fascinating people but who are, as actual corporeal individuals, as likely to show up in a classroom as the Marquis de Sade.
Three of them matter. The second, Hector Griffithshas everything memorized. His pedagogy is opaque; the boys know more poetry than they literally know what to do with, but they also take up class time performing scenes from films as a running bet with Hector. The third teacher, and the true wild card, is Irwin Moore.
He wants to see them at an Oxbridge school, and brings in Irwin to shake them up appropriately and then spit them out as serious candidates.
Hector is, by his tastes and values, traditional. Irwin is aggressively against the old ways of thinking in school. Irwin must have been in school just in time to get a whiff of poststructuralism, and it shows especially if he only whiffed it. The problem is that it is gimmicky, showoffish. He and Dakin are closest to Irwin. Akthar, Timms Cordenand Crowther more or less run for cover, trying to fulfill assignments and do the work for both of their divergent teachers.
And Rudge Russell Toveywhose tagline about the way history progresses is fundamentally different from the way literally everyone else in the film thinks about it, seems to have a better relationship with Mrs.
Lintott than with either Hector or Irwin. In concert, Rudge and Mrs.
BBC Bitesize - GCSE English Literature - Characters - AQA - Revision 2
Lintott act as lightning rods of sanity while everyone else, for whatever reason sex, college, prideruns around like a chicken without a head. She gets the word on Irwin early on, thanks to Rudge: His father worked for the college years ago; Rudge is something of a legacy. Hector is a homosexual, which would be mostly unimportant to the boys which, in s Britain, is no small matterbut the problem is that he likes to give them rides home on his motorcycle and then molest them.
Each of the boys — except Posner — has gone on the bike with him, and each has his own method of dealing with it. For this, he knows, Mr. Hector has no answer. Furthermore, Hector recognizes that this act, which he seems compelled to instigate for no explicit reason, makes him a joke to the boys. None of them report him to the headmaster or to the law; indeed, when Scripps finds out that Hector has gotten in trouble, he asks, incredulous: His desire to quantify what goes into his school at the risk of totally devaluing the qualitative excellence is a sickness that American schools know well.
The headmaster is not a good person. Very few stories about children are only about children. Lord of the Flies stands out as an example here. We are afraid that we will damage them. Of course we will, and we should worry about the extent. The parents are absent in the play; in the film, they are shown as near to the boys while they write papers or get their letters from Oxford. Each of the school adults fail in one way or another. Irwin is fundamentally dishonest, which is a sin no teacher can come back from.
The answer to that question is best summed up in two scenes from the film, which occur not quite consecutively, but in the back half, and they are meant to recall one another. The headmaster, balding and unimaginative, has one goal in mind, which is to get as many boys into Oxbridge as possible, and to this end, he's hired Irwin, himself an Oxford man, to coach the boys into writing clever essays that will draw the attention of the readers that admit these men into higher education.
lucia's blog- english literature: the history boys- analysis of dakin
The previous time or times I watched this, I was not teaching, so I didn't think of the film from a teacher's perspective. There is a strong streak of idealism in the film. The kids, with perhaps the exception of the jockish Rudge, all seem committed to their studies. In discussions, they challenge the teachers. When Irwin, played by Stephen Campbell Moore, shows up, he offers an alternative view of history than Hector.
Hector is the idealist. He wants students engaged in history because he has a passion for literature. He finds truth in the fiction stories of the great masters. But, he also doesn't want the reverence to literature to overwhelm the students with too great a level of respect. So, he has the students singing songs from musicals and watching classic movies, to make those stories, mass-appealing as they may be, as relevant as the classics. Irwin, by contrast, is the pragmatist.
He sees admission as a game. While his students are technically proficient--they know their history backwards and forwards, their essays are fact-filled and parrot back the books they've read. He challenges them to bring an unusual perspective, to make the essays interesting. The history boys seem keen on this, even as Hector bristles at the notion of history as game. Lintott provides the female voice of reason, counterbalancing the foibles of Hector who, despite his love of teaching, can't seem to abandon his infatuation for his students, with one notable exception.
If the movie uses Dakin as the ultra-hip guy who sleeps with secretaries and seems more than plenty bi-curious, it is Posner, the gay Jewish geek, who is the moral center of the film. Posner knows he has a crush on Dakin, and even Dakin knows this too. Dakin's a bit too cool to get involved, and he feels Posner is a bit too young. There are perhaps three key scenes in the film. First, Posner has a discussion with Irwin and says that he is homosexual and that he has a crush on Dakin and he knows it can't be returned.
In a way, this confession is about Posner, but it is also about Irwin. Irwin wants to sympathize, but he's afraid to reveal who he truly is to Posner, mostly out of deference to the teacher-student relationship.
Posner has another discussion with Hector about a story he's read and Hector tells him that novels are compelling because sometimes you have a feeling, one you think is completely personal, and realize that such a feeling is there in written word by a man you've never met, and perhaps by someone long since dead. Another key scene is Irwin and Hector talking in the hallway shortly after Hector has been told he's being let go because of his indiscretions.
Lintott seems to feel that those indiscretions, as poor judgment as they may be, are perhaps not as severe as they could be, that as a teacher that cares about what he teaches, his contributions to a student's development more than offsets bad behavior. Hector understands that Irwin himself is attracted to the boys and even as the boys think of Irwin as cooler, he advises Irwin to restrain himself, in particular, in his infatuation with Dakin.
To up the ante, Dakin wants to fool around with Irwin, especially after he has found out like many of his classmates that he's going to a top-notch college. It's his way of saying thanks. Irwin is uncomfortable at the advances, and eventually gives in to the idea of meeting Dakin.
I'll quickly go over the other guys. Akhtar is an Indian Muslim. His character is not fleshed out that much and his inclusion probably says as much about modern British society's diversity than anything else. James Corden plays portly Timms, but is also a character that isn't that well-developed. He's there as the token big guy. Apparently, the actor has gone on to be in a successful British sitcom.
Russell Tovey plays Rudge, the athlete.